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4860 рубBarcelona and Modernity: Picasso, Gaudi, Miro, Dali
William H. Robinson, Jordi Falgas, Carmen Bellon Lord During the years after the September Revolution of 1868, Barcelona experienced tremendous industrial growth and emerged as the most politically and culturally progressive city in Spain. "Barcelona and Modernity" examines this remarkable seventy-one-year period, when Barcelona also reigned as one of the most dynamic centers of modernist art and architecture in Europe. Focusing on the Catalan Renaixenca, Modernisme, Noucentisme, avant-garde movements of the early 20th century, and artistic reactions to the Spanish Civil War, essays by an extraordinary international team of scholars offer new insights into the work of such Catalan artists as Antoni Gaudi, Pablo Picasso, Joan Miro, and Salvador Dali, among others, by setting them in context with the art of their teachers, colleagues, and rivals. With approximately 350 works in a variety of media - painting, sculpture, photography, furniture, decorative arts, and architectural design - this intriguing book also explores how Catalan...
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8284 рубJoan Miro 1917A–1934: I'm Going To Smash Their Guitar
Joan Miro, Agnes Angliviel De La Beaumelle Miro's art has been seen as innocent and child-like, but one should dubt the innocence, or see the child in quite brutal Freudian terms. This study of the crucial formative period of Miro's art?from 1917 to 1934, from his first emergence in the avantgarde of Barcelona and Paris to his acclaim by the Surrealists and the generality of critics as a modern master?concentrates on the sometimes painful, sometimes ecstatic processes of his early development, working either in Paris or in seclusion at his farm in Montroig in Catalonia. Almost as ascetic as Mondrian, Miro drew deep on his own inner life in perfecting his imagery, which was both controlled and spontaneous, both calculated and free, both painting and "anti-painting.' this book charts to a greater degree than any others earlier the aggressiona dn determination that Miro brought to his search for genuine expression, avoiding the "poison," as he put it, of "art," which would have turned his works into "rotting corpses." ...
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9884 рубMiro
Jacques Dupin One of the most significant Spanish painters of the twentieth century, Joan MirA? (1893-1983) was also an imaginative creator of ceramics, sculpture, costumes, tapestries. MirA? was also a poet, and his art always expressed a highly personal mix of humor, reverie, and intense emotion. In this rich examination of the man and his art - from his early interpretations of Fauvism and cubism to his later "enchanted realism" and grotesque "savage paintings " French art critic and historian Jacques Dupin, a friend of MirA?, gives us a unique look at the artist's sketchbooks, poems, and correspondence to which the MirA? family gave him privileged access. This classic monograph-featuring 450 color images-spans the entire career of this highly prolific artist, and gives detailed descriptions of the various phases of evolution in his style. First published in 1962 and expanded in 1994, Dupin's informed text is complemented by detailed notes, an extensive bibliography and chronology,...
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889 рубMiro
Walter Erben, Hajo Duchting Fellow painter Walter Erben spent countless hours conversing with his colleague Joan Miro at his house in Mallorca in preparation for this book. Over the course of these talks, Mir? gave Erben many interesting and invaluable insights into his art, as well as his own interpretations of his most significant works. Thus was born this Miro retrospective which explores, through texts and images, the life's work of one of the 20th century's most influential painters.
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1649 рубГосударственный Русский музей. Альманах, №85, 2004. Joan Miro
Творчество Миро поднимает моральный дух целого столетия, к сожалению, несущего на себе отпечаток не только излишней самоуверенности, но и несчастий. Оно говорит о надежде, которая всегда должна жить в человеке. Это искусство таит в себе смирение творца и обнаруживает исключительную свежесть чувств, обитающих в его душе. Воображение Хуана Миро позволило ему совершенно безотчетно создать искусство, избежавшее пронизывающего всю нашу эпоху дуализма фигуративности - абстракции. Язык Миро, сформировавшийся в его родной Каталонии вместе со здравым смыслом, сохранил свои корни. Он сумел, однако, преобразить его. Удивительный волшебник облек плотью мечты, но суровое время часто оставляет свой след в этом уникальном живописном мире, отмеченном бесконечными преобразованиями, повторяющимися, резкими, созданными из дерзких, но не назойливых решений. Там, где другие удивляют эмоциональностью и эффектами, Миро просто придает своей живописи несравненное правдоподобие. Формат: 25 см x 30,5...
Постоянная ссылка → Государственный Русский музей. Альманах, №85, 2004. Joan Miro
