Immanuel Kant
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3991 рубKant's Transcendental Idealism: An Interpretation and Defense
Henry E. Allison This landmark book is now reissued in a new edition that has been vastly rewritten and updated to respond to recent Kantian literature. It includes a new discussion of the Third Analogy, a greatly expanded discussion of Kant's Paralogisms, and entirely new chapters dealing with Kant's theory of reason, his treatment of theology, and the important Appendix to the Dialectic.
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546 рубKant: A Very Short Introduction
Roger Scruton Kant is arguably the most influential modern philosopher, but also one of the most difficult. In his short introduction Roger Scruton tackles Kant's exceptionally complex subject with a strong hand, exploring the background to his work and showing why the Critique of Pure Reason has proved so enduring. Формат: 11 см х 17,5 см.
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1566 рубObservations on the Feeling of the Beautiful and Sublime
Immanuel Kant When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.
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4294 рубSublime Understanding: Aesthetic Reflection in Kant and Hegel
Kirk Pillow The topic of the sublime is making a return to contemporary discourse on aesthetics and cognition. In Sublime Understanding, Kirk Pillow makes sublimity the center of an alternative conception of aesthetic response and interpretation. He draws an aesthetics of sublimity from Kant's Critique of Judgment, bolsters it with help from Hegel, and establishes its place in a broadened conception of human understanding (thus differing from the many scholars who use Hegel to dismiss Kant or vice versa). He argues that sublime reflection provides a model for an interpretive response to the uncanny Other outside our conceptual grasp; it advances our sense-making pursuits but eschews unified, conceptual determination. Thus "sublime understanding" is the always partial, indeterminate grasping of contextual wholes through which we make sense of the uncanny particular in both art and the lived world. The book is divided into three parts. In the first two parts, Pillow presents insightful...
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